La Haine (1995) movie poster

La Haine (1995)

"How far you fall doesn't matter, it's how you land…"
ThumbScore
👍 92%Google users liked it archived
Critics Score
🎬 96% (RT: 96%) ℹ️RT = Rotten Tomatoes (critic reviews). MC = Metacritic (weighted critic average). Critics Score is the average of both.
Drama

Where to Watch

Streaming
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Runtime
1h 38m
Country
France
Language
French
TMDB Rating
8.1/10 (4,463 votes)
Rotten Tomatoes
96%
Cast
Hubert Koundé as Hubert
Solo as Santo
Joseph Momo as Ordinary Man
Rywka Wajsbrot as Vinz's Grandmother
Yes. 92% of real audiences liked it based on 4,463 votes. Critics agree, scoring it 96%.
Overview
After a chaotic night of rioting in a marginal suburb of Paris, three young friends, Vinz, Hubert and Saïd, wander around unoccupied waiting for news about the state of health of a mutual friend who has been seriously injured when confronting the police. Wikipedia ↗
Fun Facts
  • The original script for La Haine was written over a decade before production finally began in 1995.
  • During the filming of La Haine, Vincent Cassel improvised one of the most famous lines in the movie.
  • Eagle-eyed viewers have noticed a hidden easter egg referencing Mathieu Kassovitz's previous film in the background of the opening scene.
Audience Consensus

La Haine is a 1995 French drama directed by Mathieu Kassovitz, one of the most important French films of the 1990s. The film follows three young men — Vinz, a Jewish skinhead played by Vincent Cassel; Hubert, a Black amateur boxer played by Hubert Kounde; and Said, an Arab played by Said Taghmaoui — over 24 hours in the aftermath of a riot in a Parisian housing project triggered by police brutality that has left their friend in a coma. Vinz has found a policeman's gun lost during the riot and plans to kill a cop if their friend dies.

Mathieu Kassovitz shot the film in striking black and white, giving the Parisian banlieues a documentary-like immediacy that made the social realism feel urgent and authentic. La Haine won the Best Director award at Cannes and earned widespread critical acclaim for its unflinching depiction of racial tension, police violence, and the desperation of young men trapped in a cycle of poverty and institutional neglect. The film's final line — "So far, so good" — became one of French cinema's most iconic and chilling conclusions.

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