The Killing (1956) movie poster

The Killing (1956)

"In all its fury and violence..."
ThumbScore
๐Ÿ‘ 70%Google users liked it archived
Critics Score
๐ŸŽฌ 94% (RT: 96%, MC: 91) โ„น๏ธRT = Rotten Tomatoes (critic reviews). MC = Metacritic (weighted critic average). Critics Score is the average of both.
CrimeThriller

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Director
Runtime
1h 25m
Country
United States of America
Language
English
TMDB Rating
7.6/10 (1,683 votes)
Rotten Tomatoes
96%
Metacritic
91
Cast
Sterling Hayden as Johnny Clay
Vince Edwards as Val Cannon
Jay C. Flippen as Marvin Unger
Ted de Corsia as Randy Kennan
Marie Windsor as Sherry Peatty
Elisha Cook Jr. as George Peatty
Joe Sawyer as Mike O'Reilly
Most people think so. 70% of audiences gave it a thumbs up based on 1,683 votes. Critics rated it higher at 94%, but audiences were less impressed.
Overview
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own. Wikipedia โ†—
Fun Facts
  • Stanley Kubrick cited several classic crime films as the primary inspiration for the visual style.
  • During production of The Killing, the crew faced numerous challenges but managed to complete the shoot ahead of schedule.
Audience Consensus

The Killing is a 1956 crime, thriller film directed by Stanley Kubrick. Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.

The film has been rated by 1,683 audiences on ThumbScore, reflecting its reach and engagement with viewers. As a crime film, The Killing delivers on the expectations of its genre while bringing its own distinctive perspective to the storytelling. The production showcases the creative vision of its filmmaking team, bringing together performances, cinematography, and narrative elements that have resonated with audiences.

The Killing (1956) continues to find viewers through theatrical releases, streaming platforms, and home media, maintaining its place in the contemporary entertainment landscape. The film represents the kind of cinematic experience that has attracted a dedicated audience, with viewers appreciating its approach to the story and characters it presents.

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