The Little Hours (2017) movie poster

The Little Hours (2017)

"Obedientia. Paupertas."
ThumbScore
๐Ÿ‘ 58%Google users liked it archived
Critics Score
๐ŸŽฌ 74% (RT: 78%, MC: 69) โ„น๏ธRT = Rotten Tomatoes (critic reviews). MC = Metacritic (weighted critic average). Critics Score is the average of both.
Comedy

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Director
Runtime
1h 30m
Country
Canada, United States of America
Language
English
TMDB Rating
5.9/10 (642 votes)
Rotten Tomatoes
78%
Metacritic
69
Cast
Alison Brie as Sister Alessandra
Dave Franco as Masseto
Kate Micucci as Sister Ginevra
Aubrey Plaza as Sister Fernanda
John C. Reilly as Father Tommasso
Molly Shannon as Sister Marea
Fred Armisen as Bishop Bartolomeo
Jemima Kirke as Marta
It's divisive. Only 58% of audiences liked it based on 642 votes. Critics gave it 74%.
Overview
Garfagnana, Italy, 1347. The handsome servant Masseto, fleeing from his vindictive master, takes shelter in a nunnery where three young nuns, Sister Alessandra, Sister Ginevra and Sister Fernanda, try unsuccessfully to find out what their purpose in life is, a conundrum that each of them faces in different ways. Wikipedia โ†—
Fun Facts
  • The initial cut of The Little Hours was reportedly much longer, with several subplots removed to improve the pacing.
  • During production of The Little Hours, the crew faced numerous challenges but managed to complete the shoot ahead of schedule.
  • Jeff Baena cited several classic comedy films as the primary inspiration for the visual style.
Audience Consensus

The Little Hours is a 2017 comedy film directed by Jeff Baena. Garfagnana, Italy, 1347. The handsome servant Masseto, fleeing from his vindictive master, takes shelter in a nunnery where three young nuns, Sister Alessandra, Sister Ginevra and Sister Fernanda, try unsuccessfully to find out what their purpose in life is, a conundrum that each of them faces in different ways.

The film has been rated by 642 audiences on ThumbScore, reflecting its reach and engagement with viewers. As a comedy film, The Little Hours delivers on the expectations of its genre while bringing its own distinctive perspective to the storytelling. The production showcases the creative vision of its filmmaking team, bringing together performances, cinematography, and narrative elements that have resonated with audiences.

The Little Hours (2017) continues to find viewers through theatrical releases, streaming platforms, and home media, maintaining its place in the contemporary entertainment landscape. The film represents the kind of cinematic experience that has attracted a dedicated audience, with viewers appreciating its approach to the story and characters it presents.

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