Umberto D. (1952) movie poster

Umberto D. (1952)

ThumbScore
๐Ÿ‘ 92%Google users liked it archived
Critics Score
๐ŸŽฌ 95% (RT: 98%, MC: 92) โ„น๏ธRT = Rotten Tomatoes (critic reviews). MC = Metacritic (weighted critic average). Critics Score is the average of both.
Drama

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Director
Runtime
1h 31m
Country
Italy
Language
Italian
TMDB Rating
7.9/10 (726 votes)
Rotten Tomatoes
98%
Metacritic
92
Cast
Carlo Battisti as Umberto Domenico Ferrari
Lina Gennari as Antonia Belloni
Elena Rea as The Nun at the Hospital
Memmo Carotenuto as The Patient at the Hospital
Ileana Simova as The Woman in Umberto's Room
Lamberto Maggiorani as (uncredited)
Yes. 92% of real audiences liked it based on 726 votes. Critics agree, scoring it 95%.
Overview
When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping. Wikipedia โ†—
Fun Facts
  • It remains one of the highest-rated drama films of 1952 among dedicated fans.
  • Carlo Battisti spent months preparing for the role, heavily researching the subject matter.
  • The initial cut of Umberto D. was reportedly much longer, with several subplots removed to improve the pacing.
Audience Consensus

Umberto D. is a 1952 drama film directed by Vittorio De Sica. When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.

The film has been rated by 726 audiences on ThumbScore, reflecting its reach and engagement with viewers. As a drama film, Umberto D. delivers on the expectations of its genre while bringing its own distinctive perspective to the storytelling. The production showcases the creative vision of its filmmaking team, bringing together performances, cinematography, and narrative elements that have resonated with audiences.

Umberto D. (1952) continues to find viewers through theatrical releases, streaming platforms, and home media, maintaining its place in the contemporary entertainment landscape. The film represents the kind of cinematic experience that has attracted a dedicated audience, with viewers appreciating its approach to the story and characters it presents.

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