Mondays in the Sun (2002) movie poster

Mondays in the Sun (2002)

Los lunes al sol
"This film is not based on a real story. It is based on thousands."
ThumbScore
👍 80%Google users liked it archived
Critics Score
🎬 72% (RT: 80%, MC: 64) ℹ️RT = Rotten Tomatoes (critic reviews). MC = Metacritic (weighted critic average). Critics Score is the average of both.
DramaComedy

Where to Watch

Free
Tubi
Rent / Buy
Fandango at Home
See all watch options on JustWatch
Director
Fernando León de Aranoa
Runtime
1h 53m
Country
Spain, France, Italy
Language
Spanish
TMDB Rating
7.2/10 (247 votes)
Rotten Tomatoes
80%
Metacritic
64
Cast
Most people think so. 80% of audiences gave it a thumbs up based on 247 votes. Critics agree, scoring it 72%.
Overview
After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during a protest against the closure. José is bitter that his wife, Ana, is employed when he is not. Wikipedia ↗
Audience Consensus

Mondays in the Sun is a 2002 drama, comedy film directed by Fernando León de Aranoa. After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico.

Santa is the most superficially confident and unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during a protest against the closure. José is bitter that his wife, Ana, is employed when he is not.

The film has been rated by 247 audiences on ThumbScore, reflecting its reach and engagement with viewers. As a drama film, Mondays in the Sun delivers on the expectations of its genre while bringing its own distinctive perspective to the storytelling. The production showcases the creative vision of its filmmaking team, bringing together performances, cinematography, and narrative elements that have resonated with audiences.

Mondays in the Sun (2002) continues to find viewers through theatrical releases, streaming platforms, and home media, maintaining its place in the contemporary entertainment landscape. The film represents the kind of cinematic experience that has attracted a dedicated audience, with viewers appreciating its approach to the story and characters it presents.

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