Rear Window (1954) movie poster

Rear Window (1954)

"It only takes one witness to spoil the perfect crime."
ThumbScore
👍 91%Google users liked it ⓘ
Critics Score
🎬 100%
ThrillerMystery

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Where to Watch

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Director
Runtime
1h 52m
Rated
PG
Country
United States of America
Language
English
TMDB Rating
8.3/10 (7,054 votes)
Rotten Tomatoes
99%
Metacritic
100

Cast

James Stewart as L.B. Jefferies · 82% avg
Grace Kelly as Lisa Fremont · 82% avg
Wendell Corey as Thomas Doyle
Thelma Ritter as Stella · 85% avg
Raymond Burr as Lars Thorwald · 79% avg
Judith Evelyn as Miss Lonelyhearts
Ross Bagdasarian as Songwriter
Georgine Darcy as Miss Torso

Is Rear Window good?

Yes. 91% of real audiences liked it, by Google's archived audience score. Critics agree, scoring it 100%.

Where it ranks on ThumbScore

Rank in its genre
#25 / 2223 · Thriller
Rank in its year
#2 / 12 · 1954
Rank among its director's films
#1 / 23 · Alfred Hitchcock
On ThumbScore's lists

By audience score, among films with 500 or more votes.

Overview

A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder. Wikipedia ↗

About the Film

Rear Window is a 1954 American mystery thriller directed by Alfred Hitchcock, widely regarded as one of the greatest films ever made. James Stewart stars as L.B. "Jeff" Jefferies, a professional photographer confined to a wheelchair in his Greenwich Village apartment with a broken leg, who passes the time by observing his neighbors through the rear window. When Jeff becomes convinced that a neighbor named Lars Thorwald, played by Raymond Burr, has murdered his wife, he recruits his glamorous girlfriend Lisa Fremont, played by Grace Kelly, and his caretaker Stella, played by Thelma Ritter, to help investigate.

Hitchcock used the single apartment setting and Jeff's voyeuristic gaze to create one of cinema's most effective explorations of the act of watching itself — the audience observes Jeff observing his neighbors, making them complicit in his voyeurism while Hitchcock simultaneously questions whether the desire to watch others is harmless curiosity or something more troubling. Grace Kelly's performance, transitioning from sophisticated Park Avenue princess to daring amateur detective, was among her finest. The climactic confrontation, when Thorwald realizes he is being watched and comes to Jeff's apartment, remains one of the most suspenseful sequences in cinema.

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