Vertigo (1958) movie poster

Vertigo (1958)

"Alfred Hitchcock engulfs you in a whirlpool of terror and tension!"
ThumbScore
πŸ‘ 83%Google users liked it archived
Critics Score
🎬 96% (RT: 93%, MC: 100) ℹ️RT = Rotten Tomatoes (critic reviews). MC = Metacritic (weighted critic average). Critics Score is the average of both.
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Director
Runtime
2h 8m
Country
United States of America
Language
English
TMDB Rating
8.1/10 (6,248 votes)
Rotten Tomatoes
93%
Metacritic
100
Cast
James Stewart as Det. John 'Scottie' Ferguson
Kim Novak as Madeleine Elster / Judy Barton
Barbara Bel Geddes as Marjorie 'Midge' Wood
Tom Helmore as Gavin Elster
Henry Jones as Coroner
Raymond Bailey as Scottie's Doctor
Ellen Corby as Manager of McKittrick Hotel
Konstantin Shayne as Pop Leibel
Most people think so. 83% of audiences gave it a thumbs up based on 6,248 votes. Critics gave it 96%.
Overview
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her. Wikipedia β†—
Fun Facts
  • Alfred Hitchcock originally wanted a completely different ending for the film, but test audiences preferred the one we see today.
  • Eagle-eyed viewers have noticed a hidden easter egg referencing Alfred Hitchcock's previous film in the background of the opening scene.
  • The incredible score for Vertigo was composed in just a few weeks after the original composer dropped out.
Audience Consensus

Vertigo is a 1958 American psychological thriller directed by Alfred Hitchcock, now widely regarded as the greatest film ever made. James Stewart stars as John "Scottie" Ferguson, a retired San Francisco police detective suffering from acrophobia and vertigo, who is hired by an old friend to follow his wife Madeleine, played by Kim Novak, who appears to be possessed by the spirit of a dead woman. As Scottie becomes obsessed with the ethereal, seemingly doomed Madeleine, their relationship leads to tragedy, and Scottie descends into a spiral of guilt, obsession, and madness when he discovers a woman who bears an uncanny resemblance to his lost love.

Vertigo was a commercial and critical disappointment upon its release, dismissed by many as a lesser Hitchcock work, but it underwent one of the most dramatic critical reappraisals in cinema history. By 2012, it had displaced Citizen Kane as the number one film in Sight & Sound's decennial poll of the greatest films ever made. Bernard Herrmann's hauntingly romantic score, Saul Bass's spiral-motif title sequence, and Robert Burks's San Francisco photography created an atmosphere of dream-like obsession.

Hitchcock's exploration of male romantic obsession, the construction of female identity, and the impossibility of recapturing the past made Vertigo his most psychologically complex and personally revealing film.

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