Vertigo (1958) movie poster

Vertigo (1958)

"Alfred Hitchcock engulfs you in a whirlpool of terror and tension!"
ThumbScore
👍 83%Google users liked it ⓘ
Critics Score
🎬 96%
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Where to Watch

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Director
Runtime
2h 8m
Rated
PG
Country
United States of America
Language
English
TMDB Rating
8.1/10 (6,248 votes)
Rotten Tomatoes
93%
Metacritic
100

Cast

James Stewart as Det. John 'Scottie' Ferguson · 82% avg
Kim Novak as Madeleine Elster / Judy Barton
Barbara Bel Geddes as Marjorie 'Midge' Wood
Tom Helmore as Gavin Elster
Henry Jones as Coroner · 80% avg
Raymond Bailey as Scottie's Doctor
Ellen Corby as Manager of McKittrick Hotel
Konstantin Shayne as Pop Leibel

Is Vertigo good?

Most people think so. 83% of audiences gave it a thumbs up, by Google's archived audience score. Critics gave it 96%.

Where it ranks on ThumbScore

Rank in its genre
#141 / 750 · Mystery
Rank in its year
#8 / 10 · 1958
Rank among its director's films
#12 / 23 · Alfred Hitchcock

By audience score, among films with 500 or more votes.

Overview

A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her. Wikipedia ↗

About the Film

Vertigo is a 1958 American psychological thriller directed by Alfred Hitchcock, now widely regarded as the greatest film ever made. James Stewart stars as John "Scottie" Ferguson, a retired San Francisco police detective suffering from acrophobia and vertigo, who is hired by an old friend to follow his wife Madeleine, played by Kim Novak, who appears to be possessed by the spirit of a dead woman. As Scottie becomes obsessed with the ethereal, seemingly doomed Madeleine, their relationship leads to tragedy, and Scottie descends into a spiral of guilt, obsession, and madness when he discovers a woman who bears an uncanny resemblance to his lost love.

Vertigo was a commercial and critical disappointment upon its release, dismissed by many as a lesser Hitchcock work, but it underwent one of the most dramatic critical reappraisals in cinema history. By 2012, it had displaced Citizen Kane as the number one film in Sight & Sound's decennial poll of the greatest films ever made. Bernard Herrmann's hauntingly romantic score, Saul Bass's spiral-motif title sequence, and Robert Burks's San Francisco photography created an atmosphere of dream-like obsession.

Hitchcock's exploration of male romantic obsession, the construction of female identity, and the impossibility of recapturing the past made Vertigo his most psychologically complex and personally revealing film.

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